Midori Hirano is a musician, composer, sound artist and producer, born in Kyoto/Japan and now based in Berlin/Germany. She has been playing music since from the age of 5 when she used a piano to flesh out her earliest compositions. While this led her to major in classical piano at university, it was the less traditional aspects of electronica that would ultimately prove her major inspiration. A native to Kyoto, Japan but making the creative pilgrimage to Berlin in 2008, her productions are based around the use of traditional instrumentation – piano, strings, voice – and augmented with often subtle electronic processing and digital samples creating a rich, rolling sound that is at once warm and melodic while tracing unexpected musical trajectories.
TATOO SONG
Enregistrements: décembre 07
Mixage: Gil Savoy
Réalisation: Gil Savoy & Strom Varx
Une séance de tatouage. Le chant de l'aiguille sur la peau, qui monte, qui monte.
Une prise de son brute retravaillée pour faire de la musique, avec d'étranges harmoniques qui vocalisent malgré la douleur.
L'un des auteurs a payé de sa personne pour avoir ce son dans la peau.
"La musique est tout ce qui pétille" de Anton Mobin, 3'00"
Un bref morceau réalisé à base de micro-sons tirés de l'effervescence du quotidien. Avec dans l'ordre : sucres dans le café, lessive à la main, fonte d'un glacon, soda, feu, papier-bulle, plastique en feu et final avec toute la troupe.
Un paysage imaginaire où chaque son nait à l'intérieur d'un autre.
Haruomi Hosono
Haruomi Hosono (細野 晴臣,, born July 9, 1947 in Minato, Tokyo), also known as Harry Hosono, is a Japanese popular musician, best known internationally as a member of Yellow Magic Orchestra.
Hosono first came to attention in Japan as the bass player of the psychedelic rock band Apryl Fool, who released the album The Apryl Fool in 1969. Members from this band (including Hosono) then formed the influential folk-rock group Happy End. After Happy End disbanded, Hosono worked with a loose association of artists making "exotica"-style music under the title Tin Pan Alley. He also made an innovative electronic soundtrack for the fictional film "Cochin Moon", together with artist Tadanori Yokoo.
In 1978, Hosono formed the Yellow Magic Orchestra with Yukihiro Takahashi and Ryuichi Sakamoto. The Yellow Magic Orchestra (a.k.a. YMO) released a number of albums in the late 70s and early 80s to considerable acclaim both inside and outside Japan. After YMO disbanded in 1984, Hosono released a number of solo albums covering a variety of styles, including film soundtracks, and a variety of electronic ambient albums.
He was one of the first producers to recognize the appeal of video game sounds and music. YMO's self titled debut in 1978 continued substantial game sounds and after YMO disbanded an early project was an album simply titled "Video Game Music" containing mixed and edited Namco game music and sounds. In the late 80s and early 90s the influence of world music on his music deepened, and he worked with international singers and musicians such as Amina Annabi.
As well as recording his own music, Haruomi has done considerable production work for other artists such as Miharu Koshi, Sheena and the Roketts, Sandii and the Sunsetz, Chisato Moritaka and Seiko Matsuda.
He has produced a number of short term band projects as a band member. His first post-YMO band was Friends of Earth. As with most of his projects he combines musical styles he's interested in. F.O.E. seemed to be a combination of Funk and Techno and included a collaboration with James Brown and Maceo Parker for a remake of the song "Sex Machine". Another notable band project was 1995's Love, Peace & Trance. Members were Mimori Yusa ("Love"), Miyako Koda ("Peace"), Haruomi Hosono ("&") and Mishio Ogawa ("Trance").
In the 1990s he started the Daisyworld label to release a wide range of experimental artists from Japan and the rest of the world. Hosono collorated on many of the releases, such as World Standard, a trip into Americana; HAT, a supergroup (the acronym stands for Hosono, Atom Heart, Tetsu Inoue),and "Quiet Logic", by Mixmaster Morris and Jonah Sharp. The Orb also paid tribute with a series of remixes including the notorious "Hope You Choke On Your Whalemeat".
In 2002 Haruomi formed the duo Sketch Show with his YMO band-mate Yukihiro Takahashi. They have released two albums, one of which, Loophole, has received a UK release. When the third former YMO member, Ryuichi Sakamoto deepened his involvement it was decided to bill those collaborations as Human Audio Sponge.
In 2007, his fellow YMO members and other artist paid tribute to Haruomi with a 2-disc album titled "Tribute to Haruomi" in Spring of 2007. Also, that same year, the animated film Appleseed Ex Machina was released featuring a soundtrack performed and supervised by Haruomi Hosono.
In September 2010 it was announced he will perform at the De La Fantasia festival and play songs from his new album which is currently being produced.
Bands and Collaborations
- Apryl Fool
- Happy End
- Tin Pan Alley
- Yellow Magic Orchestra
- Friends Of Earth (F.O.E) (with Eiki Nonaka)
- HIS (with Kiyoshirō Imawano and Fuyumi Sakamoto)
- Love, Peace & Trance (Mimori Yusa, Miyako Koda and Mishio Ogawa)
- Swing Slow (with Miharu Koshi)
- HAT (with Atom Heart and Tetsu Inoue)
- Harry & Mac (with Makoto Kubota)
- Tin Pan (with Tatsuo Hayashi and Shigeru Suzuki)
- Sketch Show (with Yukihiro Takahashi)
- HASYMO (previously Human Audio Sponge) (Sketch Show and Ryuichi Sakamoto, with Keigo Oyamada, Hiroshi Takano, Christian Fennesz, Tomohiko Gondō and Ren Takada as live support)
Discography
Albums
- Hosono House (1973, Bellwood)
- Tropical Dandy (1975, Nippon Crown/Panam)
- Taian Yōkō (泰安洋行?) - Bon Voyage Co. (1976, Nippon Crown/Panam)
- Paraiso (はらいそ, Haraiso?) (1978, by "Harry Hosono and The Yellow Magic Band", Alfa)
- Cochin Moon (コチンの月, Kochin no Tsuki?) (1978, by Haruomi Hosono and Tadanori Yokō, King Records)
- Philharmony (1982)
- S·F·X (1984, by "Haruomi Hosono with Friends Of Earth", Teichiku/Non-Standard)
- Coincidental Music (1985)
- Mercuric Dance (1985, Teichiku/Monad)
- The Endless Talking (1985, Teichiku/Monad)
- Omni Sight Seeing (1989)
- Medicine Compilation (1993, Epic Sony)
- Mental Sports Mixes (1993, Sony Tristar)
- Good Sport (1995, Clock)
- Naga (1995, FOA)
- N.D.E. ("Near Death Experience") (1995, Mercury)
- Interpieces Organization (1996, by Haruomi Hosono & Bill Laswell, Teichiku)
- Road to Louisiana (ルイジアナ珍道中, Ruijiana Chindōchū?) (1999, by "Harry & Mac" (Makoto Kubota), Epic)
- Flying Saucer 1947 (2007, "Harry Hosono & The World Shyness", Victor/Speedstar)
Soundtrack
- Nokto de la galaksia fervojo (銀河鉄道の夜, Ginga Tetsudō no Yoru?) (1985, movie soundtrack, Teichiku/Non-Standard)
- Paradise View (1985, movie soundtrack, Teichiku/Monad)
- The Tale of Genji (源氏物語, Genji Monogatari?) (1987, movie soundtrack, Epic Sony)
- La Maison de Himiko (2005, movie soundtrack, Warner Music Japan)
- Ex Machina Original Soundtrack/Original Soundtrack Complete Edition (soundtrack surpervision, composition of some tracks) (2007, Commmons)
Compilation
- Hosono Box 1969-2000 (2000, Daisyworld)
- Harry Hosono Crown Years 1974-1977 (2007)
Tribute
- Tribute to Haruomi Hosono (2007, Commmons)
- Strange Song Book - Tribute to Haruomi Hosono 2 (2008, Commmons)
Contributions
- CBS/Sony Sound Image Series:
- Pacific (with Shigeru Suzuki and Tatsuro Yamashita) (tracks 1, 4 and 8 composed and performed by Hosono) (1978)
- The Aegen Sea (with Takahiko Ishikawa and Masataka Matsutoya) (tracks 3 and 4 composed and performed by Hosono) (1979)
- Vol. 1 - Island Music (tracks 1, 7, 9 and 10 composed and performed by Hosono) (1983)
- Vol. 2 - Off Shore (tracks 1 and 2 composed and performed by Hosono) (1983)
- Love, Peace & Trance (1995)
Composition Work
- Imokin Trio (イモ欽トリオ?):
-
- High School Lullaby (1981)
- Teardrop Tanteidan (ティアドロップ探偵団?) (1982)
- Teenage Eagles (1983)
- Apogee & Perigee (Jun Togawa, Yuji Miyake and other artists):
- Akina Nakamori: Kinku (禁区?) (1983)
- Yoshie Kashiwabara: Shiawase Ondo (しあわせ音頭?) (1982)
- Shin'ichi Mori:
-
- 仏蘭西映画
- 夢・恋・人 (1983)
- 妖星傅
- 春 Mon Amour
- Kumiko Yamashita: 赤道小町ドキッ (1982)
- Narumi Yasuda: Kaze no Tani no Nausicaä (風の谷のナウシカ, Kaze no Tani no Naushika?, Nausicaä of the Valley of the Wind) (image song for the film) (1984)
- Chisato Moritaka: Miracle Light (ミラクルライト?) (1997)
- Mitsuko Horie: Kiteretsu Daihyakka no Uta (キテレツ大百科のうた?) (1987, Kiteretsu Daihyakka 90 minute special opening theme)
- Mika Matsubara: Paradise Beach (Sophie's Theme) (パラダイス ビーチ(ソフィーのテーマ), Paradaisu Biichi (Sofii no Teema)?)
- Starbow: Heartbreak Taiyōzoku (ハートブレイク太陽族?) (1982)
- Kuniko Yamada: Tetsugaku Shiyō (哲学しよう?)
- Kawakamisan to Nagashimasan: きたかチョーさんまってたドン(1983)
- Masatō Ibu: Datte, Hormone Love (だって、ホルモンラブ?)
- Jun Togawa: 玉姫様 (1984)
- "NHK News Today" opening theme (1988, NHK TV)
- Chappie: Tanabata no Yoru, Kimi ni Aitai (七夕の夜、君に逢いたい?) (1999)
External links
- Haruomi Hosono discography, news, and general informations at Music City
- Official Sketch Show website (Avex)
- Nippop Profile | Sketch Show
Notes
|
Persondata | |
---|---|
Name | Hosono, Haruomi |
Alternative names | |
Short description | |
Date of birth | July 9, 1947 |
Place of birth | |
Date of death | |
Place of death |
Retrieved from "http://en.wikipedia.org/wiki/Haruomi_Hosono"
Mr. Scott - Oh Night
Mr. Scott - Oh Night
Genre: LoFi PopWe prepare two new releases on Dying For Bad Music Label - so not much time to post stuff - or to search for bad music. But in the meantime I found a forgotten treasure on my hard disk, a warm, fuzzy homemade psych thingy from good old myspace. It's from an abandoned profile by someone called Mr. Scott and you should hear it. It's really good (compared to the other experimental sounds on his profil)
Mr. Scott - Oh Night / lo-fi pop, bedroom pop / Dying For Bad Music - Label for Psychedelic, Folk, Drone, Singer-Songwriter, Lo-Fi
source:
http://dyingforbadmusic.com/blog/post/2011/02/mr-scott-oh-night.html
Jonathan Richard Guy Greenwood
Jonathan Richard Guy Greenwood (5 November 1971) is a BAFTA and Grammy-nominated musician and composer, best known as a member of English alternative rock group Radiohead. Greenwood is a multi-instrumentalist, but serves mainly as a guitarist and keyboard player. In addition to guitar and keyboard, he plays viola, xylophone, glockenspiel, ondes martenot, banjo, harmonica and drums. He also does work on the electronic side of Radiohead, working on computer-generated sounds and sampling. He wrote the soundtracks of the films Bodysong and There Will Be Blood, as well as serving as "composer-in-residence" for the BBC. He is the younger brother of fellow Radiohead member, Colin Greenwood.
Greenwood was ranked #59 on Rolling Stone's "100 Greatest Guitarists of All Time" list and #27 on Gigwise's list of the "50 Greatest Guitarists Ever". Citing his work with Radiohead, Channel 4 described Greenwood as a "significant creative force within the music industry."
Solo work and current projects
In 2003, Greenwood released his first solo album, Bodysong (2003), the soundtrack for the movie of the same title by filmmaker Simon Pummell. Bodysong also features contributions from his brother Colin on bass.
Jonny Greenwood was hired by the BBC as its composer in residence in May 2004, a job which gave him the opportunity to compose several pieces for symphony orchestra, piano and/or Ondes Martenot: smear, Piano for Children and Popcorn Superhet Receiver. smear premiered in 2004, and on 23 April 2005 Greenwood premiered his new work commissioned by BBC Radio 3, with music performed live by the BBC Concert Orchestra in London.[7] The printed music for smear and Popcorn Superhet Receiver are available from Faber Music Ltd in London. smear has also been recorded by the London Sinfonietta conducted by Martyn Brabbins and is Greenwood's recorded debut in the genre.
Greenwood won the Radio 3 Listeners' Award at the 2006 BBC British Composer Awards for his piece, "Popcorn Superhet Receiver". The piece was inspired by radio static and the extended, dissonant chords of Polish composer Penderecki's "Threnody for the Victims of Hiroshima", it can be streamed from a BBC website. Upon winning the award Greenwood received £10,000 from the PRS Foundation towards a commission for a new orchestral work.
A fan of dub reggae,[11] Greenwood released a compilation in collaboration with Trojan Records, entitled Jonny Greenwood Is The Controller in March 2007. This is the latest in Trojan’s Artist Choice Jukebox series, to which DJ Spooky and Don Letts have already contributed.Trojan Records provided Greenwood with its extensive catalog of songs, of which he chose 17.The title is a play on the first track on the collection, entitled "Dread Are The Controller", by Linval Thompson. The album contains tracks by artists such as Derrick Harriott, Gregory Isaacs, The Heptones and many more.
Greenwood composed the score for the 2007 film, There Will Be Blood, from director Paul Thomas Anderson. The soundtrack contains excerpts from "Popcorn Superhet Receiver". His work as the composer for this film was highly acclaimed by reviewers and earned him an award at the Critics' Choice Awards. On January 21, 2008, however, the score was declared ineligible for an Academy Award nomination under a rule that prohibited "scores diluted by the use of tracked themes or other pre-existing music."On 4 February 2008 it was announced that Greenwood had won the trophy for Best Film Score in the Evening Standard British Film Awards for 2007.In its 2009 end-of-decade round-up Rolling Stone magazine named the film the best of the decade and cited Greenwood's score as a major element in its success, "Redefining what is possible in film scores".
Although highly original, Greenwood's film score appears to have been heavily inspired by the soundtrack to 1970s BBC dramatisation of an M. R. James ghost story called 'A Warning To The Curious' which has been shown several times on BBC4 as part of their 'Ghost Story At Christmas' seasons. As with There Will Be Blood, the dramatisation opens with a man digging for buried treasure.
In late 2008, Greenwood collaborated with Israeli rock musician Dudu Tasa on Tasa's Hebrew-language single "What a Day".
In February 2010, Greenwood debuted a composition entitled "Doghouse" at the BBC’s Maida Vale Studios. In an interview following the performance, Greenwood and conductor Robert Ziegler revealed that the composition would be extrapolated into a score for the upcoming film Norwegian Wood directed by Anh Hung Tran, based on the best-selling novel of the same name by Haruki Murakami. Greenwood described the writing of the piece to the BBC, "I wrote this piece mostly in hotels and dressing rooms while touring with Radiohead. This was more practical than glamorous — lots of time sitting around indoors, lots of instruments about — and aside from picking up a few geographical working titles, I can’t think that it had any effect where, on tour, it was written." The premiere of the entire score is to be on 19march2010.
Musical influences
Greenwood is greatly influenced by jazz and classical music; his favourites include Lee Morgan and Miles Davis. He is a major fan of the Mo' Wax label (onetime home of Blackalicious, DJ Krush, DJ Shadow and Dr. Octagon). Along with other Radiohead band members, he loves Krautrock band Can and Polish composer Krzysztof Penderecki. Greenwood has stated that his all time favourite piece of music is Messiaen's Turangalila Symphony, a gigantic piece for orchestra and Ondes Martenot, which he discovered as a teenager. According to one of his entries on Radiohead's blog Dead Air Space, Greenwood has become a dub reggae aficionado, listening as of late 2005 to little else.
On the last date of Radiohead's summer 2008 tour with Grizzly Bear in support, Greenwood spoke of his love for them on stage, saying they are his "favourite band in the world".Greenwood has also stated that John McGeoch is one of his favourite guitarists. He said : "no guitarist inspired me more that John McGeoch".
Equipment
Electric Guitars
Greenwood playing a Fender Starcaster.
- Fender Telecaster Plus, with a custom cut-off switch and special rewirings made by Greenwood and Plank (Radiohead's Guitar Technician). This guitar is equipped with Lace Sensor pickups.
- Fender Telecaster Standard converted into a Plus which also has a custom cut-off switch and Lace Sensor pickups
- 1975 Fender Starcaster, with Fender Wide Range pickups, can be heard predominantly on Kid A and Amnesiac, it is used for most Kid A and Amnesiac he plays guitar on live, and a few songs from OK Computer.[24]
- A Gretsch G6119-1962HT Tennessee Rose HT.
- Gibson Les Paul HD.6X-Pro Digital.
- Gibson ES-335 (used on the acoustic Tour 2003)
Acoustic Guitars
- Taylor Big Baby (played by both Jonny Greenwood and Thom Yorke in pictures from Dead Air Space)
Amplifiers
- Vox AC30, used for clean tones.
- Fender Eighty-Five , solid state amp, used for distorted tones.
Early on in Greenwood's career, he used a Fender Twin Reverb for clean tones. He recently replaced the Deluxe 85 with an Eighty-Five.
Current Effects Pedals
Jonny orders his pedals on his boards not in order of his signal chain, which confuses many people. He has changed pedals around and added new ones over the years which adds to the confusion. Here is however, a very close order of his current pedals from guitar to amps.
- Electro-Harmonix Small Stone
- Electro-Harmonix Poly Chorus (Recently removed from his board.)
- Demeter 'The Tremulator' (older version of the Demeter TRM-1 Tremulator)
- DOD 440 Envelope Filter (modified to include an LED)
- BOSS SD-1 Super Overdrive
- BOSS RV-3 Digital Reverb/Delay (Recently removed from his board. Replaced with BOSS RE-20)
- BOSS RE-20 Space Echo
- Roland Space Echo RE-201 (activated via Vox egg footswitch)
- Akai Headrush E1 or E2
- BOSS LS-2 Line Selector (A/B mode)
- Marshall ShredMaster (leads to Fender 85)
- ProCo Rat Distortion (used during The Bends era)
- BOSS FV-500H Volume Pedal (previously BOSS FV-300H)
- BOSS TU-12H Chromatic Tuner (from 'tuner out' on FV-500H)
- Roland FC-200 midi controller
- Mutronics Mutator (used in the studio)
- Voodoo Lab Pedal Power 2 (one on each board)
- There are two more BOSS LS2's in his signal. One for bringing in the Kaoss pad into his setup and one for running his guitar through his Mac.
Keyboards
- Hammond XB2 Digital Organ
- Mellotron M400
- Rhodes Suitcase Piano Mark I 73
- Fatar Keys CMS-161
- Upright Piano
- BOSS RV-3 Digital Reverb/Delay
- Electro-Harmonix Small Stone Phase Shifter
- BOSS FV300L/H
- BOSS LS-2 Line Selector
- Akai Headrush E1 or E2
- Demeter Tremulator
- Roland Space Echo RE-201
- 3 Laptops, manned by Jonny and band technician Russ Russell, running Kontakt 3, are used to trigger samples and keyboard sounds, played in realtime by Jonny and Colin. One laptop is placed by Jonny's other gear, the others being side of stage with Russ.
Other
- Greenwood uses an ondes martenot, specifically during the songs "Climbing Up the Walls" and "The National Anthem"
- Laptop Computer running Max/MSP (Used to process his guitar sound, such as in the guitar solo at the end of "Go to Sleep". Also used to control electronic parts in live versions of songs such as "The Gloaming" and "15 Step")
- Korg Kaoss Pad (for sampling, such as Thom Yorke's voice in the song "Everything in Its Right Place")
- Harmonica (for the song "I Am A Wicked Child" and on the Pavement songs "Platform Blues" and "Billie" from their final album Terror Twilight)
- Glockenspiel (for "No Surprises", "Morning Bell/Amnesiac", "Sit Down. Stand Up" and "All I Need")
- FM Radio (for the songs "The National Anthem" and "Climbing Up The Walls". Used in combination with his effects pedals, mainly delay and echo, to create ambient vocal loops. Originally used a videotape with a VCR combi to similar effect)
- Toms (he uses a pair of identical toms with two drum sticks for each hand. These are featured in "There There", where most members of the band play percussion)
- He has recently been spotted with a banjo. The band played a sound check on their recent tour where Greenwood played the banjo on Radiohead song "I Am A Wicked Child". Other members of the band have said that banjos are "banned", and despite Greenwood's constant attempts to include them in songs, they will not be featured.
- Voodoo Labs Pedal Power units power all pedals.
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